
The Judgment of Paris
Angelica Kauffmann·1781
Historical Context
The Judgment of Paris from 1781, now in the Museo de Arte de Ponce, depicts the mythological beauty contest among Hera, Athena, and Aphrodite that triggered the Trojan War. Kauffmann's treatment of the subject — which required depicting three goddesses competing for a mortal's aesthetic judgment — allowed her to create an image of comparative female beauty organized around Neoclassical ideals of grace and harmony rather than competitive desire. Her approach to the Judgment emphasizes the feminine perspective, focusing on the goddesses' beauty and grace rather than the martial consequences of Paris's choice of Aphrodite, making the mythological subject a meditation on ideal female beauty rather than a narrative about war and fate. The Ponce Museum of Art holds an important collection of European painting within a Latin American context, including several significant Kauffmann works, reflecting the dispersal of European painting through the transatlantic art market of the 19th and 20th centuries. The 1781 date places the painting in the year of Kauffmann's return to Rome after fifteen years in London, marking a significant transition in her career toward the final and most settled phase of her working life.
Technical Analysis
The mythological scene demonstrates Kauffmann's elegant approach to classical subjects, with graceful female figures and harmonious color creating a scene of idealized beauty.
Look Closer
- ◆The three goddesses occupy distinct spatial zones—near, middle, and far—rather than being.
- ◆Paris's passive seated posture contrasts with the goddesses' active presenting stances toward him.
- ◆Each goddess is identified by symbolic attribute and costume—differentiated colours make.
- ◆The apple of discord is visible in Paris's hand—the small golden fruit that will trigger.
See It In Person
More by Angelica Kauffmann

Mrs. Hugh Morgan and Her Daughter
Angelica Kauffmann·c. 1771

The Sorrow of Telemachus
Angelica Kauffmann·1783

Telemachus and the Nymphs of Calypso
Angelica Kauffmann·1782
%2C_Twelfth_Earl_of_Derby%2C_with_His_First_Wife_(Lady_Elizabeth_Hamilton%2C_1753%E2%80%931797)_and_Their_Son_(Edward_Smith_Stanley%2C_1775%E2%80%931851)_MET_DP169403.jpg&width=600)
Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)
Angelica Kauffmann·ca. 1776



