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The merganser hunt
Pietro Longhi·1760
Historical Context
Duck hunting on the Venetian lagoon was a traditional aristocratic pastime with its own elaborate ritual of boats, trained birds, and social ceremony. The merganser — a diving duck of the lagoon — was a specific quarry whose hunting required specialist knowledge and equipment. Longhi's 1760 canvas at the Fondazione Querini Stampalia depicts this activity with the sociological attentiveness he brought to all Venetian leisure pursuits, situating the hunt within the lagoon landscape that surrounded and sustained the city. The Querini Stampalia's collection of Longhi's work is the largest and most significant outside public museums, reflecting the family's longstanding relationship with the painter.
Technical Analysis
The open lagoon setting gives Longhi an unusually expansive spatial field compared to his typical domestic interiors, requiring him to manage both the flat water and the distant island or mainland horizon. Figures in hunting boats are distributed across the middle ground, their activity creating compositional movement across the canvas.
Look Closer
- ◆The lagoon water is rendered with attention to its reflective, slightly turbid quality — different from the clearer water of Tissot's Thames
- ◆The boats and their rigging are depicted with the specificity of someone familiar with lagoon craft and hunting equipment
- ◆The merganser ducks, as quarry, may be depicted in flight or on the water, their natural behaviour documented alongside the human hunting activity
- ◆The horizon line's flatness and the wide sky above it give the scene an unusual spatial openness compared to Longhi's enclosed interiors







