
The Prioress's Tale
Edward Burne-Jones·1865
Historical Context
The Prioress's Tale, painted in 1865 on paper and held at the Delaware Art Museum, is one of several works Burne-Jones based on Chaucer's Canterbury Tales — a text that he and William Morris valued among the greatest works of English literature. The Prioress's Tale tells the story of a pious young boy murdered by Jews for singing a Marian hymn, whose miraculous posthumous singing leads to the discovery of his body and the punishment of his killers. The tale is deeply problematic in its antisemitism, but Victorian readers and artists engaged with it primarily as a story of Marian devotion and child martyrdom within the medieval Christian world. Burne-Jones focused on the devotional and emotional aspects rather than the tale's most disturbing elements. The Delaware Art Museum's Pre-Raphaelite holdings make it a significant American repository for works of this type.
Technical Analysis
Worked on paper with the precise, densely detailed handling that Burne-Jones brought to his smaller-scale works on this support. The subject allows for the combination of Gothic ecclesiastical architectural setting with the delicate figure treatment he had absorbed from illuminated manuscript sources.
Look Closer
- ◆The medieval ecclesiastical setting is rendered with the care of someone deeply versed in Gothic architectural form through stained-glass and church decoration design
- ◆The child figure is given an otherworldly stillness that transforms him from mere victim into a figure of spiritual significance
- ◆Marian devotional imagery surrounding the central narrative is rendered with symbolic precision drawn from medieval iconographic convention
- ◆Chaucer's tale provided Burne-Jones with the intersection of medieval piety, narrative tragedy, and miraculous resolution that he found most productive


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