ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

The Reverend Utrick Fetherstonhaugh (1717/18-1788) as Apollo by Pompeo Batoni

The Reverend Utrick Fetherstonhaugh (1717/18-1788) as Apollo

Pompeo Batoni·1751

Historical Context

The Reverend Utrick Fetherstonhaugh (1717/18–1788) is depicted as Apollo, sun god and patron of the arts, in a 1751 portrait at the National Trust property of Uppark. The Fetherstonhaugh family were the owners of Uppark in Sussex, and this portrait is part of a remarkable group of Batoni works painted for the family in Rome in 1751. A clergyman depicted as Apollo is an unusual conceit — more typically associated with poets or musicians — but the choice may reflect the Reverend's particular intellectual or musical interests. The National Trust's possession of this work in its original house context makes it a singular example of a Grand Tour portrait retained in its intended domestic setting for over 270 years.

Technical Analysis

Oil on canvas combining clerical identity with mythological grandeur. Apollo's attributes — the lyre, laurel wreath, radiant light — would be integrated with the sitter's identifiable features. Batoni's Apollo would draw on classical sculpture types, particularly the Apollo Belvedere in the Vatican, while maintaining the personal likeness required of commissioned portraiture.

Look Closer

  • ◆The lyre or laurel crown identifies the Apollo conceit, distinguishing this from a straightforward clerical portrait
  • ◆Batoni likely referenced the Apollo Belvedere — one of Rome's most famous sculptures — for the pose
  • ◆The clerical identity of the sitter adds intellectual complexity to the pagan mythological disguise
  • ◆Notice how Batoni's precise likeness of the sitter survives intact beneath the god's glamorous costume

See It In Person

National Trust

,

Visit museum website →

Quick Facts

Medium
canvas
Era
Rococo
Genre
Mythology
Location
National Trust, undefined
View on museum website →

More by Pompeo Batoni

Time Unveiling Truth by Pompeo Batoni

Time Unveiling Truth

Pompeo Batoni·1740–45

Saint Andrew by Pompeo Batoni

Saint Andrew

Pompeo Batoni·1740–43

Allegory of Peace and War by Pompeo Batoni

Allegory of Peace and War

Pompeo Batoni·1776

Don José Moñino y Redondo, Conde de Floridablanca by Pompeo Batoni

Don José Moñino y Redondo, Conde de Floridablanca

Pompeo Batoni·c. 1776

More from the Rococo Period

Annunciation to the Shepherds by Jacopo Bassano

Annunciation to the Shepherds

Jacopo Bassano·c. 1710

The Madonna with the Seven Founders of the Servite Order by Agostino Masucci

The Madonna with the Seven Founders of the Servite Order

Agostino Masucci·c. 1728

Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

Alessandro Magnasco·c. 1705

Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

Alessandro Magnasco·c. 1700