ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 50,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

The Schwartz Girls drawing by Anders Zorn

The Schwartz Girls drawing

Anders Zorn·1889

Historical Context

Zorn executed this drawing of the Schwartz sisters in 1889, the same year he was living in Paris and immersed in the circle of American expatriates and international collectors who would become some of his most important patrons. The work on cardboard — now in the Musée d'Orsay — reflects the intimacy of a private commission rather than the formal ambition of a salon portrait. The Schwartz family were part of the cultivated American community in Paris, and Zorn frequently accepted commissions from this milieu. Depicting siblings in a domestic or informal moment aligned with the contemporary taste, influenced by Impressionism, for capturing subjects in unguarded, naturalistically composed arrangements. The choice of cardboard as support was common for study and presentation pieces — lighter and more portable than canvas, it was well suited to intimate formats. That this piece ended up in the Orsay collection reflects the museum's interest in Zorn as a significant northern European presence in the Parisian artistic world of the 1880s.

Technical Analysis

Worked on cardboard, the piece exploits the warm mid-tone of the support as a base from which lighter passages are built up and darker accents introduced. The drawing quality is evident in the crisp outlines of the figures, while painterly washes add volume and atmosphere. Zorn's handling gives the two sisters distinct presences — differentiated by small contrasts in posture and the direction of their gazes — within a compact, unified composition.

Look Closer

  • ◆The cardboard support shows through in places as a warm middle tone that stands in for shadow without additional paint
  • ◆Each sister's face is treated with greater finish than the surrounding clothing and setting
  • ◆The postures of the two figures lean subtly toward each other, conveying relationship without staged theatricality
  • ◆Light falls from one side, creating a gentle chiaroscuro that gives the figures roundness despite the small scale

See It In Person

Musée d'Orsay

,

Visit museum website →

Quick Facts

Medium
cardboard
Dimensions
Unknown
Era
Post-Impressionism
Genre
Genre
Location
Musée d'Orsay, undefined
View on museum website →

More by Anders Zorn

The Artist's Wife by Anders Zorn

The Artist's Wife

Anders Zorn·1889

The Bride by Anders Zorn

The Bride

Anders Zorn·1886

Our Daily Bread by Anders Zorn

Our Daily Bread

Anders Zorn·1886

En premiär by Anders Zorn

En premiär

Anders Zorn·1888

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885