
The Stag Hunt
Historical Context
The Stag Hunt at the Burrell Collection in Glasgow (c.1600) is one of several late versions of Cranach's hunt composition that circulated through the European aristocratic and collector market after the Cranach workshop continued operations under his son Lucas Cranach the Younger. The Burrell Collection, assembled by the Glasgow shipbuilder Sir William Burrell in the late nineteenth and early twentieth centuries, represents one of the great eclectic private collections of European art in Scotland, and its holding of this work reflects the accessibility of Cranach workshop paintings to Victorian-era collectors. Hunt paintings celebrated aristocratic culture and the mastery of nature, themes with perennial appeal across the social changes of subsequent centuries. The c.1600 date suggests this was produced by the workshop in the generation after Cranach the Elder, maintaining the compositional type while adapting technique to the changing demands of late sixteenth-century patronage.
Technical Analysis
The hunt scene is presented in a panoramic format with the action distributed across the picture space. Cranach's characteristic precise draughtsmanship and his attention to the specific breeds of hound and the appearance of the stag give the scene documentary as well as decorative value.
Look Closer
- ◆The hunted stag is shown at the climax of the chase, hounds and huntsmen converging on it.
- ◆The landscape uses the Cranach workshop's characteristic layered receding forest technique.
- ◆Aristocratic hunters on horseback are placed in the upper register, hierarchy of participants clear.
- ◆The water crossing creates a reflective surface mid-composition, a frequent hunt painting motif.







