
The Three Sisters
Henri Matisse·1917
Historical Context
Painted in 1917 and held in the Jean Walter-Paul Guillaume Collection (Musée de l'Orangerie), 'The Three Sisters' is a multi-figure composition that Matisse worked through in several related versions, exploring how to balance three distinct female presences within a single decorative field. The year 1917 was late in his austere 'dark period' before the full flowering of his Nice style; the palette and handling here retain some of the structural severity of his mid-1910s work while anticipating the greater sensuous warmth of what followed. Multiple versions of related compositions allow scholars to track his compositional decisions; here the three figures are arranged across the canvas in a configuration that prioritises surface rhythm over spatial depth. Paul Guillaume acquired this work and it passed to the Orangerie through the Walter-Guillaume bequest.
Technical Analysis
The three figures are distributed across the canvas in a near-symmetrical arrangement that creates a frieze-like quality. Matisse uses flat colour areas and strong outlines to define the figures without conventional modelling.
Look Closer
- ◆The three figures are given slightly different postures and orientations that prevent the arrangement from reading as purely symmetrical
- ◆Each figure's clothing or coloration provides a distinct colour note within the overall chromatic scheme
- ◆Look for where the figures overlap or how their edges interact — whether they touch, merge, or remain distinct
- ◆The background treatment is notably simpler than the figures, creating a hierarchy that focuses attention on the trio


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