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The Tickle by Pietro Longhi

The Tickle

Pietro Longhi·1755

Historical Context

Longhi's Rococo sensibility is perhaps nowhere more clearly expressed than in this 1755 scene of playful physical contact between figures in an elegant interior. The tickle as a subject hovers between the decorous and the licentious, the game's intimacy carefully calibrated to remain within the bounds of what could be depicted without scandal while still communicating the charged social atmosphere of Rococo leisure. The Thyssen-Bornemisza Museum's collection includes several works of European Rococo genre painting that provide context for understanding how Longhi's Venetian subjects relate to contemporaneous French and German treatments of similar themes. Play, touching, and intimate contact were central concerns of Rococo art across Europe.

Technical Analysis

Longhi manages the technical challenge of depicting motion — the act of tickling — through gestural shorthand that implies movement without blurring form. The figures' costumes provide a rich surface of silk and lace that catches light differently as it falls across the dynamic composition.

Look Closer

  • ◆The tickled figure's involuntary physical response is captured in the tilt of the body and the expression — somewhere between laughter and protest
  • ◆The tickler's posture expresses playful intent, the arm extended in a gesture that is both comic and gently transgressive
  • ◆Costume quality signals a prosperous domestic setting — this is leisure within an appropriate social register
  • ◆Background furnishings are minimal but sufficient to establish an interior space of cultivated domestic comfort

See It In Person

Thyssen-Bornemisza Museum

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Quick Facts

Medium
canvas
Era
Rococo
Genre
Genre
Location
Thyssen-Bornemisza Museum, undefined
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Portrait of a Young Woman by Pietro Longhi

Portrait of a Young Woman

Pietro Longhi·c. 1760

Portrait of a Girl with a Dog by Pietro Longhi

Portrait of a Girl with a Dog

Pietro Longhi·c. 1770

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