ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Three singers by Angelica Kauffmann

Three singers

Angelica Kauffmann·1795

Historical Context

Three Singers from 1795, now in the Bündner Kunstmuseum, depicts musical performance — a subject particularly close to Kauffmann's own experience as a trained soprano who had considered a musical career before dedicating herself to painting. She was genuinely accomplished as a musician, having performed in public in her youth, and her music-making scenes reflect this personal engagement with artistic performance as a subject. The Bündner Kunstmuseum in Chur, in the Swiss canton of Graubünden, holds this work as part of a collection with natural connections to Kauffmann, who was Swiss by birth and maintained connections to her homeland throughout her career in Rome. The 1795 date places this in her mature Roman period, when the Neoclassical circle she had been part of since the 1760s was giving way to the emerging Romanticism that would transform European art. Kauffmann's refined oil handling — cool clear colors, graceful figures, smooth controlled touch — was maintained consistently through this late period, and the Three Singers demonstrates her continued facility with multi-figure compositions at a time when her career was approaching its conclusion.

Technical Analysis

The group composition demonstrates Kauffmann's ability to arrange multiple figures in harmonious interaction, with the musical subject lending natural grace to the composition.

Look Closer

  • ◆Three figures are arranged in a loose choir formation around a shared score or instrument.
  • ◆Kauffmann gives each singer a distinct emotional engagement with the music—one absorbed, one.
  • ◆Warm light from an unspecified side source illuminates the faces selectively, creating.
  • ◆The sheet music or instrument they share anchors the three figures in a single social.

See It In Person

Bündner Kunstmuseum

Chur,

Visit museum website →

Quick Facts

Medium
Oil paint
Era
Neoclassicism
Style
German Neoclassicism
Genre
Genre
Location
Bündner Kunstmuseum, Chur
View on museum website →

More by Angelica Kauffmann

Mrs. Hugh Morgan and Her Daughter by Angelica Kauffmann

Mrs. Hugh Morgan and Her Daughter

Angelica Kauffmann·c. 1771

The Sorrow of Telemachus by Angelica Kauffmann

The Sorrow of Telemachus

Angelica Kauffmann·1783

Telemachus and the Nymphs of Calypso by Angelica Kauffmann

Telemachus and the Nymphs of Calypso

Angelica Kauffmann·1782

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851) by Angelica Kauffmann

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)

Angelica Kauffmann·ca. 1776

More from the Neoclassicism Period

Portrait of the Artist's Father, Ismael Mengs by Anton Raphael Mengs

Portrait of the Artist's Father, Ismael Mengs

Anton Raphael Mengs·1747–48

View on the River Roseau, Dominica by Agostino Brunias

View on the River Roseau, Dominica

Agostino Brunias·1770–80

Manuel Godoy by Agustin Esteve y Marqués

Manuel Godoy

Agustin Esteve y Marqués·1800–8

Portrait of a Musician by Alessandro Longhi

Portrait of a Musician

Alessandro Longhi·c. 1770