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Tummel Bridge, Perthshire by J. M. W. Turner

Tummel Bridge, Perthshire

J. M. W. Turner·1802

Historical Context

Tummel Bridge, Perthshire, painted in 1802 after Turner's first Scottish tour, depicts the stone bridge over the River Tummel in the heart of Perthshire, one of the most remote and spectacular landscapes in Britain. Turner's 1801-02 Scottish tour was his first extended journey to the Highlands, and the experience of Highland landscape — on a scale and of a wildness without parallel in England — transformed his understanding of what natural sublimity could mean. Tummel Bridge, at the junction of the Tummel and Garry rivers, was a subject with literary associations: Robert Burns had passed through the area, and the tradition of Scottish Romantic landscape poetry stretching from Macpherson's Ossian to Scott's verse had made Highland scenery a charged imaginative territory. Turner painted in Scotland at the same period he was producing his first major oils at the Royal Academy, and the Highland landscapes fed directly into the dramatic ambitions of his early Snowstorm and Hannibal paintings. The small panel support suggests an intimate, directly observed study rather than an exhibition work.

Technical Analysis

Turner renders the Highland bridge and surrounding terrain with dramatic atmospheric effects, using the wild Scottish landscape to explore contrasts of scale between human structures and untamed nature.

Look Closer

  • ◆Look at the Tummel Bridge itself — the stone crossing over the River Tummel in Perthshire, Turner renders it as a solid architectural anchor within the wild Highland landscape.
  • ◆Notice the wild Highland scenery surrounding the bridge — the rocky, heather-covered terrain of Perthshire that Turner found dramatically different from the cultivated English landscapes he usually painted.
  • ◆Observe the atmospheric effects Turner creates above the Highland landscape — the brooding cloud formations and shifting light characteristic of Scottish Highland weather.
  • ◆Find the figures if present — Turner typically included travelers crossing such bridges to establish scale and connect the remote Highland landscape to the human experience of travel.

See It In Person

Yale Center for British Art

New Haven, United States

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
28.9 × 46.7 cm
Era
Romanticism
Style
British Romanticism
Genre
Landscape
Location
Yale Center for British Art, New Haven
View on museum website →

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