_-_Quentin_Matsys_in_His_Studio_-_210-1887_-_Victoria_and_Albert_Museum.jpg&width=1200)
Quentin Matsys in His Studio
Richard Redgrave·ca. 1839
Historical Context
Redgrave's painting of Quentin Matsys in His Studio from around 1839 depicts the legendary story of the Antwerp blacksmith who became a painter for love — a tale that combined the Romantic fascination with artistic biography with the Victorian interest in the transformative power of passion. According to tradition, Matsys fell in love with the daughter of a painter who would only give his daughter to an artist; he taught himself to paint and won both the girl and a career. Redgrave's choice of this subject reflects his interest in the social conditions of artistic practice and the relationship between love, ambition, and artistic vocation that was central to Victorian cultural mythology.
Technical Analysis
The oil on canvas demonstrates Redgrave's skill in period interior reconstruction and narrative composition, with warm studio lighting and careful attention to historical costume and artist's tools.
_-_Bolton_Abbey%2C_Morning_-_FA.172(O)_-_Victoria_and_Albert_Museum.jpg&width=400)
_-_The_Thames_from_Millbank_-_211-1887_-_Victoria_and_Albert_Museum.jpg&width=400)
_-_Gulliver_Exhibited_to_the_Brobdingnag_Farmer_(from_Jonathan_Swift's_'Gulliver's_Travels')_-_FA.169(O)_-_Victoria_and_Albert_Museum.jpg&width=400)
_-_The_Stream_at_Rest_-_P.10-1967_-_Victoria_and_Albert_Museum.jpg&width=400)



.jpg&width=600)