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Landscape with Stream by Jan van Goyen

Landscape with Stream

Jan van Goyen·1628

Historical Context

Van Goyen's Landscape with Stream from 1628 is a very early work, painted when he was only thirty-two and still developing the tonal approach that would make him one of the most influential Dutch landscape painters. In 1628, van Goyen had recently completed his training with Esaias van de Velde in Haarlem — a painter who had already moved toward the naturalistic Dutch landscape style — and was establishing his own practice in Leiden. The landscape here still shows relatively bright local colors and conventional compositional devices, documenting the early stages of van Goyen's development toward the radical tonalism of his 1640s maturity.

Technical Analysis

This early work retains more color and detail than van Goyen's mature tonal landscapes. The stream and surrounding vegetation are rendered with careful observation, while the sky is beginning to show the atmospheric breadth that would characterize his later paintings. The brushwork is fluid but more precise than his later, more abbreviated manner.

See It In Person

Victoria and Albert Museum

London, United Kingdom

Gallery: Prints & Drawings Study Room, room 315

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Baroque
Style
Dutch Golden Age
Genre
Landscape
Location
Victoria and Albert Museum, London
Gallery
Prints & Drawings Study Room, room 315
View on museum website →

More by Jan van Goyen

Fishing Boats off an Estuary by Jan van Goyen

Fishing Boats off an Estuary

Jan van Goyen·1633

Sandy Road with a Farmhouse by Jan van Goyen

Sandy Road with a Farmhouse

Jan van Goyen·1627

River View with a Village Church by Jan van Goyen

River View with a Village Church

Jan van Goyen·1630

Country House near the Water by Jan van Goyen

Country House near the Water

Jan van Goyen·1646

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The Vision of Saint Francis by Lodovico Carracci

The Vision of Saint Francis

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Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

Abraham Janssens·c. 1612