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The Deluge by William Etty

The Deluge

William Etty·1835-1845

Historical Context

The Deluge, painted between 1835 and 1845 and now in the Victoria and Albert Museum, depicts the biblical flood — one of the most dramatically ambitious subjects in Western art. The theme of cosmic destruction allowed Etty to combine his mastery of the nude figure with dramatic narrative on a heroic scale. The Deluge had been famously treated by Michelangelo on the Sistine ceiling and by Poussin, among others, and Etty's attempt places him within this grand tradition of Old Master history painting. The painting demonstrates his ambition to be more than a painter of beautiful nudes, aspiring to the highest category of academic art — the multi-figure history painting that required compositional mastery alongside figure-painting skill.

Technical Analysis

Etty combines his expertise in figure painting with dramatic landscape effects. The struggling figures are rendered with powerful anatomical modeling and warm flesh tones, while the flood waters and stormy sky are painted with darker, more turbulent brushwork. The contrast between vulnerable human flesh and elemental nature creates the painting's dramatic impact.

Look Closer

  • ◆Notice the struggling figures rendered with powerful anatomical modeling and warm flesh tones, set against darker, more turbulent brushwork of the flood waters and stormy sky.
  • ◆Look at the contrast between vulnerable human flesh and the overwhelming force of cosmic destruction in this ambitious biblical subject.
  • ◆Observe Etty combining his mastery of the nude figure with dramatic narrative on a heroic scale — the Deluge allowing both anatomical display and emotional intensity.

See It In Person

Victoria and Albert Museum

London, United Kingdom

Gallery: Paintings, Room 82, The Edwin and Susan Davies Galleries

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Romanticism
Style
British Romanticism
Genre
Religious
Location
Victoria and Albert Museum, London
Gallery
Paintings, Room 82, The Edwin and Susan Davies Galleries
View on museum website →

More by William Etty

Allegory by William Etty

Allegory

William Etty·1807

The Three Graces by William Etty

The Three Graces

William Etty·1807

Head of a Cardinal by William Etty

Head of a Cardinal

William Etty·ca. 1844

The Ring by William Etty

The Ring

William Etty·ca. 1835

More from the Romanticism Period

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The Fountain at Grottaferrata

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Shipwreck by Jean-Baptiste Isabey

Shipwreck

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Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836