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The Wood Sawyers by Jean-François Millet

The Wood Sawyers

Jean-François Millet·1850- 1852

Historical Context

The Wood Sawyers (1850-52) is one of Millet's major Barbizon paintings, depicting two peasants engaged in the physically demanding labor of sawing timber. Millet's treatment of manual labor as a subject worthy of monumental painting was revolutionary, investing the rhythmic, exhausting work of sawing with the dignity and gravity previously reserved for heroic subjects. The painting was controversial at the Salon for its sympathy toward the laboring poor.

Technical Analysis

Millet renders the sawyers with powerful, rhythmic forms that express the physical effort of their labor. The composition emphasizes the dynamic, swinging movement of the saw, creating a visual equivalent of the workers' rhythm. The earthy palette of browns and dark greens is applied with broad, sculptural brushwork.

See It In Person

Victoria and Albert Museum

London, United Kingdom

Gallery: Paintings, Room 81, The Edwin and Susan Davies Galleries

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Romanticism
Style
French Romanticism
Genre
Genre
Location
Victoria and Albert Museum, London
Gallery
Paintings, Room 81, The Edwin and Susan Davies Galleries
View on museum website →

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Woman Feeding Chickens by Jean François Millet

Woman Feeding Chickens

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Young Woman by Jean François Millet

Young Woman

Jean François Millet·1844–45

Classical Landscape with Two Women and a Man on a Path by Francisque Millet

Classical Landscape with Two Women and a Man on a Path

Francisque Millet·c. 1660–c. 1670

Retreat from the Storm by Jean-François Millet

Retreat from the Storm

Jean-François Millet·ca. 1846

More from the Romanticism Period

The Fountain at Grottaferrata by Adrian Ludwig (Ludwig) Richter

The Fountain at Grottaferrata

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Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836