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The Governess by Richard Redgrave

The Governess

Richard Redgrave·1844

Historical Context

Redgrave's Governess from 1844 is one of his most celebrated social conscience paintings, depicting a young woman working as a governess in a wealthy household — observing the family's festivities from which she is excluded by her ambiguous class position. The governess was one of the most poignant figures in Victorian social life: educated and refined enough to teach the children of the wealthy, yet employed and therefore excluded from the social world she inhabited as a teacher. Redgrave explicitly stated his intention to draw attention to the difficult position of the governess class, making this painting one of the first Victorian paintings to treat the working conditions of middle-class women as a subject deserving moral attention.

Technical Analysis

The oil on canvas uses a carefully constructed interior with contrasting areas of light and shadow to isolate the governess figure, whose melancholy expression and black dress create a poignant focal point against the comfortable domestic setting.

See It In Person

Victoria and Albert Museum

London, United Kingdom

Gallery: Paintings, Room 82, The Edwin and Susan Davies Galleries

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Romanticism
Style
British Romanticism
Genre
Genre
Location
Victoria and Albert Museum, London
Gallery
Paintings, Room 82, The Edwin and Susan Davies Galleries
View on museum website →

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Bolton Abbey: Morning by Richard Redgrave

Bolton Abbey: Morning

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The Thames from Millbank by Richard Redgrave

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Gulliver Exhibited to the Brobdingnag Farmer by Richard Redgrave

Gulliver Exhibited to the Brobdingnag Farmer

Richard Redgrave·1836

The Stream at Rest by Richard Redgrave

The Stream at Rest

Richard Redgrave·1848

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