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Edward Howard by Pompeo Batoni

Edward Howard

Pompeo Batoni·1766

Historical Context

Batoni's 1766 portrait of Edward Howard is a characteristic example of his Grand Tour portraiture — the British aristocrat depicted with the studied elegance and cultural confidence that the Italian journey was designed to produce. Howard was a member of the prominent Howard family (Dukes of Norfolk) and his Roman portrait documented the continuation of the aristocratic educational tradition that sent young English nobles to Italy for the cultural polish that distinguished a gentleman from a mere wealthy person. Batoni's treatment gives Howard the same warm coloring, refined pose, and specifically Roman setting that characterized all his Grand Tour portraits, creating a consistent visual language for aristocratic cultural attainment.

Technical Analysis

Batoni's oil on canvas demonstrates his polished Grand Tour portrait style with luminous flesh tones, elegant composition, and the smooth, refined finish that made his portraits the most sought-after in Rome.

See It In Person

Victoria and Albert Museum

London, United Kingdom

Gallery: British Galleries, Room 118, The Wolfson Gallery

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Rococo
Style
Venetian Rococo
Genre
Portrait
Location
Victoria and Albert Museum, London
Gallery
British Galleries, Room 118, The Wolfson Gallery
View on museum website →

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Allegory of Peace and War by Pompeo Batoni

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Pompeo Batoni·1776

Don José Moñino y Redondo, Conde de Floridablanca by Pompeo Batoni

Don José Moñino y Redondo, Conde de Floridablanca

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