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Mary Barnardiston by Joshua Reynolds

Mary Barnardiston

Joshua Reynolds·ca. 1755

Historical Context

Joshua Reynolds's portrait of Mary Barnardiston, painted around 1755, is an early work from the artist who would become the most influential portrait painter in British history and the first president of the Royal Academy. In the mid-1750s, Reynolds had recently returned from his transformative Italian journey (1749-1752) and was establishing his London practice. This portrait shows the young Reynolds developing the grand manner style that would revolutionize English portraiture.

Technical Analysis

Reynolds's early technique shows the influence of his Italian studies, with warm Venetian-inspired color and the broad, confident brushwork that distinguished his portraits from the tighter manner of his predecessors. The flesh tones and fabric handling already demonstrate the mastery that would make him London's most sought-after portraitist.

Look Closer

  • ◆Notice the warm Venetian-inspired colour already visible in this early work — Reynolds had recently returned from Italy when he painted this
  • ◆Look at the developing confident brushwork that distinguishes him from his more cautious pre-Italian manner
  • ◆Observe how the face already displays the luminous quality that Reynolds learned from studying Titian's flesh painting
  • ◆Find the handling of fabric and background — even early in his career, Reynolds focuses his energy on the face
  • ◆Notice this as a document of Reynolds at a formative moment — the Grand Manner is taking shape but not yet fully formed

See It In Person

Victoria and Albert Museum

London, United Kingdom

Gallery: British Galleries, Room 52, The George Levy Gallery

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Rococo
Style
English Rococo
Genre
Portrait
Location
Victoria and Albert Museum, London
Gallery
British Galleries, Room 52, The George Levy Gallery
View on museum website →

More by Joshua Reynolds

The Honorable Henry Fane (1739–1802) with Inigo Jones and Charles Blair by Joshua Reynolds

The Honorable Henry Fane (1739–1802) with Inigo Jones and Charles Blair

Joshua Reynolds·1761–66

Lady Sarah Bunbury Sacrificing to the Graces by Joshua Reynolds

Lady Sarah Bunbury Sacrificing to the Graces

Joshua Reynolds·1763–65

Sir Thomas Rumbold, Bt. by Joshua Reynolds

Sir Thomas Rumbold, Bt.

Joshua Reynolds·1788

Thomas (1740–1825) and Martha Neate (1741–after 1795) with His Tutor, Thomas Needham by Joshua Reynolds

Thomas (1740–1825) and Martha Neate (1741–after 1795) with His Tutor, Thomas Needham

Joshua Reynolds·1748

More from the Rococo Period

Annunciation to the Shepherds by Jacopo Bassano

Annunciation to the Shepherds

Jacopo Bassano·c. 1710

The Madonna with the Seven Founders of the Servite Order by Agostino Masucci

The Madonna with the Seven Founders of the Servite Order

Agostino Masucci·c. 1728

Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

Alessandro Magnasco·c. 1705

Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

Alessandro Magnasco·c. 1700