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Mary Barnardiston
Joshua Reynolds·ca. 1755
Historical Context
Joshua Reynolds's portrait of Mary Barnardiston, painted around 1755, is an early work from the artist who would become the most influential portrait painter in British history and the first president of the Royal Academy. In the mid-1750s, Reynolds had recently returned from his transformative Italian journey (1749-1752) and was establishing his London practice. This portrait shows the young Reynolds developing the grand manner style that would revolutionize English portraiture.
Technical Analysis
Reynolds's early technique shows the influence of his Italian studies, with warm Venetian-inspired color and the broad, confident brushwork that distinguished his portraits from the tighter manner of his predecessors. The flesh tones and fabric handling already demonstrate the mastery that would make him London's most sought-after portraitist.
Look Closer
- ◆Notice the warm Venetian-inspired colour already visible in this early work — Reynolds had recently returned from Italy when he painted this
- ◆Look at the developing confident brushwork that distinguishes him from his more cautious pre-Italian manner
- ◆Observe how the face already displays the luminous quality that Reynolds learned from studying Titian's flesh painting
- ◆Find the handling of fabric and background — even early in his career, Reynolds focuses his energy on the face
- ◆Notice this as a document of Reynolds at a formative moment — the Grand Manner is taking shape but not yet fully formed
See It In Person
Victoria and Albert Museum
London, United Kingdom
Gallery: British Galleries, Room 52, The George Levy Gallery
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