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Paulina, First Wife of Sir Codrington Edmund Carrington
Thomas Lawrence·ca. 1806
Historical Context
Lawrence's Paulina, First Wife of Sir Codrington Edmund Carrington (c. 1806) at the Victoria and Albert Museum is a female portrait from his middle period, showing his mature style at its most confident. The Carrington family — Sir Codrington was a colonial administrator — commissioned both a male and female portrait from Lawrence, creating a matched pair that documented a prosperous couple at the height of their social position. Lawrence's female portrait style in the 1800s combined his characteristic atmospheric painting with a psychological directness that gave his women a sense of individual presence rather than merely social statement.
Technical Analysis
Lawrence's fluid technique renders the sitter with elegant refinement. The complexion is built up with soft, translucent layers while the white dress is painted with broader strokes and brilliant highlights. The warm, atmospheric background complements the sitter's luminous presence.
Look Closer
- ◆Notice the atmospheric background that Lawrence dissolves into warm painterly suggestion: Paulina's presence is defined against an almost abstract setting.
- ◆Look at the soft, translucent layers building up the complexion: Lawrence's female portrait technique creates a characteristic warm glow.
- ◆Observe the white dress with brilliant highlights: Lawrence's handling of white fabric was among his most celebrated technical achievements.
- ◆Find the psychological directness of the gaze: Lawrence's female portraits consistently have a quality of direct personal engagement with the viewer.
See It In Person
Victoria and Albert Museum
London, United Kingdom
Gallery: Paintings, Room 82, The Edwin and Susan Davies Galleries
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