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Florizel and Perdita by Charles Robert Leslie

Florizel and Perdita

Charles Robert Leslie·ca. 1837

Historical Context

Leslie's Florizel and Perdita depicts the romantic pair from Shakespeare's The Winter's Tale — the prince who falls in love with the supposed shepherdess at the sheep-shearing festival before her royal identity is revealed. The pastoral romance of Florizel and Perdita, set in the idealized Bohemia of the play's fourth act, was among the most painted subjects from Shakespeare's romances, its combination of elegant young love with rural festivity appealing to Victorian taste for both literary culture and naturalistic genre painting. Leslie's treatment combined careful attention to period costume with the psychological warmth of his best romantic subjects.

Technical Analysis

The pastoral setting is painted with warm, golden tones suggesting an Arcadian idyll. The lovers' expressions convey the sincerity of their feelings, and Leslie's handling of the rural costumes creates a convincing theatrical pastoral.

See It In Person

Victoria and Albert Museum

London, United Kingdom

Gallery: Paintings, Room 82, The Edwin and Susan Davies Galleries

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Romanticism
Style
British Romanticism
Genre
Landscape
Location
Victoria and Albert Museum, London
Gallery
Paintings, Room 82, The Edwin and Susan Davies Galleries
View on museum website →

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Queen Katherine and Patience by Charles Robert Leslie

Queen Katherine and Patience

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Amy Robsart by Charles Robert Leslie

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Charles Robert Leslie·ca.1833

A Female head by Charles Robert Leslie

A Female head

Charles Robert Leslie·ca. 1840

Don Quixote and Dorothea by Charles Robert Leslie

Don Quixote and Dorothea

Charles Robert Leslie·ca. 1825

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