
Vase with daisies and anemones
Vincent van Gogh·1887
Historical Context
Vase with Daisies and Anemones (1887) at the Kröller-Müller Museum belongs to Van Gogh's extensive Paris-period flower still life series — the systematic exploration of different flower types as colour and technique exercises conducted throughout his two years in the French capital. Daisies and anemones presented complementary challenges: the daisy's simple radial form and white-and-yellow colour required careful rendering of subtle tonal variation, while the anemone's richer, more complex colour range and petal structure demanded a different brushwork approach. His Paris flower paintings are among the most varied in his output, covering virtually every flower species available in the Paris market and the Parisian suburban gardens, treating each as a distinct technical and chromatic problem. The Kröller-Müller Museum's significant Van Gogh collection includes numerous examples from the Paris flower series.
Technical Analysis
The bouquet balances white daisies and vivid anemones in complementary color relationships. Van Gogh's brushwork is varied and energetic — the flowers built from individual strokes of different lengths and directions. The vase and background are handled more summarily, the floral arrangement receiving primary attention. The palette is higher-keyed than his Dutch period.
Look Closer
- ◆Daisies and anemones offer contrasting scale — large-petaled daisies anchor the arrangement's.
- ◆Van Gogh's Paris palette gives the anemones vivid blues and purples his Nuenen work never contained.
- ◆The vase's ceramic surface is described with warm tones that echo the flower colors above it.
- ◆Stems in the vase water are visible beneath the surface — a small, precise observation within.




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