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Venus and Cupid by Alessandro Turchi

Venus and Cupid

Alessandro Turchi·c. 1630

Historical Context

Alessandro Turchi, known as l'Orbetto, was a Veronese painter who worked in Rome and was celebrated for his refined treatment of mythological and religious subjects. This Venus and Cupid from around 1630 exemplifies the classicizing tendency in Roman Baroque painting, presenting the goddess of love with an idealized beauty that draws on both ancient sculpture and the Venetian coloristic tradition of Veronese and Titian.

Technical Analysis

The oil on canvas demonstrates Turchi's smooth, polished technique with luminous flesh tones built through careful glazing. The warm palette and soft chiaroscuro create an intimate, sensual atmosphere characteristic of his mythological works.

Provenance

Private collection, Florence [unsubstantiated record in curatorial file]; M. and C. Sestieri, Rome, by 1964; sold to Art Institute, 1964.

See It In Person

Art Institute of Chicago

Chicago, United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
115.8 × 158.8 cm
Era
Baroque
Style
Italian Baroque
Genre
Mythology
Location
Art Institute of Chicago, Chicago
View on museum website →

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The Judgment of Paris by Alessandro Turchi

The Judgment of Paris

Alessandro Turchi·1650

The lamentation over the dead Christ by Alessandro Turchi

The lamentation over the dead Christ

Alessandro Turchi·1617

Adoration of the Magi by Alessandro Turchi

Adoration of the Magi

Alessandro Turchi·

Pietá with St. Francis by Alessandro Turchi

Pietá with St. Francis

Alessandro Turchi·

More from the Baroque Period

Allegory of Venus and Cupid by Titian

Allegory of Venus and Cupid

Titian·c. 1600

Portrait of a Noblewoman Dressed in Mourning by Jacopo da Empoli

Portrait of a Noblewoman Dressed in Mourning

Jacopo da Empoli·c. 1600

Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

Abraham Janssens·c. 1612

The Flight into Egypt by Abraham Jansz. van Diepenbeeck

The Flight into Egypt

Abraham Jansz. van Diepenbeeck·c. 1650