View of rear buildings
Adolph von Menzel·1847
Historical Context
Painted in 1847 and held in the Alte Nationalgalerie, 'View of Rear Buildings' belongs to a remarkable group of intimate Berlin views Menzel made in the 1840s, now recognised as among the most forward-looking paintings of their era in any European school. Working from his studio window or from back courtyards, he painted the unglamorous rear faces of Berlin tenements and neighbouring buildings with a directness and tonal sophistication that places these small canvases close to the spirit of French Impressionism, which would not emerge for another two decades. These works were largely unknown in his lifetime, made for himself rather than exhibition; they were discovered by a later generation of critics who saw in them a revolutionary modernity. The Alte Nationalgalerie in Berlin holds the largest concentration of Menzel's work.
Technical Analysis
Menzel builds the composition from the tonal contrasts of sunlit and shaded wall surfaces, the architectural geometry of rear windows and roof edges creating a rigorous abstract structure beneath the descriptive surface.
Look Closer
- ◆Rear walls are treated with the same pictorial seriousness usually reserved for grand facades — the unglamorous subject is radically equalised
- ◆Window openings in the background buildings create rhythmic patterns of light and shadow across the composition
- ◆Look for the quality of grey-blue light — Menzel's north German urban light has a cool precision unlike southern European atmosphere
- ◆The scale of the canvas relative to its subject is notable — intimate in format but monumental in pictorial ambition

_Adolf_Friedrich_Erdmann_von_Menzel_(Hamburger_Kunsthalle).jpg&width=600)





.jpg&width=600)