ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 50,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

View of the Colosseum and Arch of Constantine from the East, Rome by Gaspar van Wittel

View of the Colosseum and Arch of Constantine from the East, Rome

Gaspar van Wittel·1707

Historical Context

Van Wittel's 1707 view of the Colosseum and Arch of Constantine taken from the east presents a perspective less commonly documented in his surviving output — the eastern flank of the monument rather than the western or northern approaches more familiar from his earlier Colosseum views. By 1707 Van Wittel had been in Rome for over thirty years and had built an intimate knowledge of the city's ancient monuments that allowed him to select viewpoints offering genuine topographic information beyond the iconic. The Arch of Constantine, erected in 315 CE to commemorate the emperor's victory at the Milvian Bridge, stands immediately adjacent to the Colosseum and was in Van Wittel's day still largely buried to its base in accumulated debris; his view thus records the arch's early eighteenth-century appearance before the archaeological clearances of subsequent centuries. The painting captures a moment in the slow ongoing process by which Rome's ancient centre was being re-examined and documented by artists working in the empirical spirit that Van Wittel had done much to establish.

Technical Analysis

Van Wittel places the Arch of Constantine in the foreground right and the Colosseum behind it to the left, creating a spatial layering of ancient monuments that reads as architectural information. The low eastern light suggested by the shadow direction reveals the relief sculpture on the arch's attic storey. His rendering of the Colosseum's outer arcade from the east shows subtle differences from his western-aspect views in the handling of weathering and vegetation.

Look Closer

  • ◆The Arch of Constantine's relief panels are rendered in sufficient detail to identify the recycled Trajanic and Hadrianic tondi
  • ◆The Colosseum's eastern facade reveals layers of ancient repair and post-antique masonry visible in Van Wittel's time
  • ◆Ground level around both monuments shows the debris accumulation of centuries, recording archaeological conditions
  • ◆Figures among the ruins — some sketching, some simply resting — are characteristic Grand Tour types

Quick Facts

Medium
canvas
Era
Rococo

More by Gaspar van Wittel

View of the Gulf of Naples by Gaspar van Wittel

View of the Gulf of Naples

Gaspar van Wittel·1712

Gezicht op Napels by Gaspar van Wittel

Gezicht op Napels

Gaspar van Wittel·1712

Piazza Navona, Rome by Gaspar van Wittel

Piazza Navona, Rome

Gaspar van Wittel·1699

View of Tivoli by Gaspar van Wittel

View of Tivoli

Gaspar van Wittel·1700

More from the Rococo Period

Annunciation to the Shepherds by Jacopo Bassano

Annunciation to the Shepherds

Jacopo Bassano·c. 1710

The Madonna with the Seven Founders of the Servite Order by Agostino Masucci

The Madonna with the Seven Founders of the Servite Order

Agostino Masucci·c. 1728

Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

Alessandro Magnasco·c. 1705

Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

Alessandro Magnasco·c. 1700