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Wellington and Blücher in the Battle of Waterloo
Adolph von Menzel·1858
Historical Context
Painted in 1858 and held in the Bavarian State Painting Collections, 'Wellington and Blücher in the Battle of Waterloo' engages with the great Allied victory over Napoleon in 1815 — an event that had concluded the Napoleonic wars that dominated European memory through much of the nineteenth century. The meeting of the British commander Wellington and the Prussian field marshal Blücher on the battlefield after the decisive victory was one of the iconic moments of the campaign, immortalised in numerous images. For Menzel as a Prussian painter, the celebration of Blücher's decisive intervention was a matter of national pride alongside the broader Allied triumph. He would have been familiar with the established iconography of the event and worked to create his own interpretation. Menzel's engagement with the Waterloo subject reflects his interest in early nineteenth-century military history as context for the Prussian state whose present he was simultaneously documenting.
Technical Analysis
Menzel organises the battlefield encounter between the two commanders with his characteristic attention to military costume and the specific physical conditions of a late-afternoon battlefield after engagement.
Look Closer
- ◆The two commanders — Wellington and Blücher — are given distinct national military identities through their uniforms and bearing
- ◆The battlefield context around the central encounter provides evidence of the combat that has just concluded
- ◆Look for how Menzel handles the late-afternoon light on the Belgian plain — different from both his indoor scenes and his urban observations
- ◆The treatment of horses, if present, shows Menzel's accumulated study of equine subjects across his career

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