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Saints Andrew and Peter by Alvaro Pirez d'Evora

Saints Andrew and Peter

Alvaro Pirez d'Evora·1424

Historical Context

This religious painting from 1424 by Alvaro Pirez d'Evora reflects the central role of religious painting in the Early Renaissance. Alvaro Pirez d'Evora approaches the subject with characteristic reverence and technical skill, creating an image that would have resonated deeply with contemporary viewers. This was a period of revolutionary change in European art, as painters in Florence and the Low Countries began breaking with medieval conventions to pursue naturalistic representation.

Technical Analysis

Tempera technique, reflecting earlier traditions, the religious composition demonstrates Alvaro Pirez d'Evora's skilled technique and careful observation in service of sacred narrative. The figural arrangement draws on established iconographic tradition while the handling of light and color creates emotional resonance.

See It In Person

Lindenau museum

Altenburg, Germany

Visit museum website →

Quick Facts

Medium
Tempera on panel
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
Lindenau museum, Altenburg
View on museum website →

More by Alvaro Pirez d'Evora

Madonna and Child by Alvaro Pirez d'Evora

Madonna and Child

Alvaro Pirez d'Evora·1410

Saint diacre (Laurent ?) by Alvaro Pirez d'Evora

Saint diacre (Laurent ?)

Alvaro Pirez d'Evora·1411

Die Verkündigung an Maria (2 Tafeln) by Alvaro Pirez d'Evora

Die Verkündigung an Maria (2 Tafeln)

Alvaro Pirez d'Evora·1410

The Presentation in the Temple by Alvaro Pirez d'Evora

The Presentation in the Temple

Alvaro Pirez d'Evora·1430

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Cosimo Tura·1475/1500

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Christ Crowned with Thorns

Antonello da Messina (Antonello di Giovanni d'Antonio)·1450

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil by Antonio Vivarini

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil

Antonio Vivarini·c. 1450