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Archangel Michael by Alvaro Pirez d'Evora

Archangel Michael

Alvaro Pirez d'Evora·1422

Historical Context

Alvaro Pirez d'Evora's Archangel Michael, painted around 1422, depicts the warrior archangel in a panel that reflects the Portuguese painter's absorption of Sienese artistic traditions. Working in Italy, Pirez d'Evora developed a distinctive style that bridged Iberian and Italian painting cultures Egg tempera on panel was the dominant technique of the period, demanding careful layer-by-layer construction and patient craftsmanship. This work belongs to the Early Renaissance, the transformative period in European art when painters first applied mathematical perspective, naturalistic figure modeling, and archaeological interest in antiquity to the inherited traditions of medieval devotional painting.

Technical Analysis

The archangel is rendered in armor with sword and shield, painted in Pirez d'Evora's blend of Sienese refinement and Portuguese artistic sensibility with careful tempera technique and gold ground.

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Quick Facts

Medium
Tempera on panel
Dimensions
53 × 21 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
,
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More by Alvaro Pirez d'Evora

Madonna and Child by Alvaro Pirez d'Evora

Madonna and Child

Alvaro Pirez d'Evora·1410

Saint diacre (Laurent ?) by Alvaro Pirez d'Evora

Saint diacre (Laurent ?)

Alvaro Pirez d'Evora·1411

Die Verkündigung an Maria (2 Tafeln) by Alvaro Pirez d'Evora

Die Verkündigung an Maria (2 Tafeln)

Alvaro Pirez d'Evora·1410

The Presentation in the Temple by Alvaro Pirez d'Evora

The Presentation in the Temple

Alvaro Pirez d'Evora·1430

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Christ Crowned with Thorns

Antonello da Messina (Antonello di Giovanni d'Antonio)·1450

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil by Antonio Vivarini

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil

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