The Madonna with the Veil

This 1525 Madonna with the Veil shows the Virgin tenderly covering or revealing the sleeping Christ Child, a subject of intimate devotion popular in High Renaissance Rome. Sebastiano's treatment brings Venetian tenderness to the Roman monumental tradition. His figures carry Venetian sensuous richness combined with the overwhelming physical presence that Michelangelo's influence brought to his Roman works. Sebastiano del Piombo, born Sebastiano Luciani in Venice around 1485 and active in Rome from 1511 until his death in 1547, occupied one of the most interesting positions in sixteenth-century Italian painting: trained in the Venetian tradition under Giorgione and influenced by the young Titian, he subsequently became the closest collaborator of Michelangelo in Rome, receiving figure compositions from the great Florentine that he executed with his Venetian command of color and atmosphere. The resulting fusion — Venetian surface and Roman form — was his most distinctive contribution to the tradition. His appointment as keeper of the Papal Seal (Piombo) in 1531 brought him financial security but somewhat reduced his artistic output in the final decades of his career.

The delicate interplay of the veil fabric with the soft flesh of mother and child demonstrates Sebastiano's Venetian-trained sensitivity to surface texture and atmospheric light.