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River bank by Ivan Shishkin

River bank

Ivan Shishkin·1900

Historical Context

A river bank was a natural counterpart to Shishkin's forest interiors — the water's edge where woodland meets water, with exposed roots gripping the bank, overhanging branches trailing their tips, and reflections animating the surface below. Such liminal zones, where two ecosystems meet, were of particular interest to natural history painters, and Shishkin treated them as carefully as he treated pure woodland. The Perm Art Museum's riverbank painting shows his understanding of how the character of Russian countryside changes at the water's edge, where the air is damper, the vegetation different, and the light more complex.

Technical Analysis

The bank's undercut edge, with its exposed earth and root systems, demands different techniques from the above-ground tree rendering that dominates most of Shishkin's work. He uses varied earthy ochres and umbers for the exposed bank, with the reflective river surface below treated with his characteristic fluid, lateral strokes.

See It In Person

Perm Art Museum

Perm,

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Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Landscape
Location
Perm Art Museum, Perm
View on museum website →

More by Ivan Shishkin

Winter in the forest (Frost) by Ivan Shishkin

Winter in the forest (Frost)

Ivan Shishkin·1877

Coniferous forest by Ivan Shishkin

Coniferous forest

Ivan Shishkin·1873

Rich log (Fir forest on Kama) by Ivan Shishkin

Rich log (Fir forest on Kama)

Ivan Shishkin·1877

Copse by Ivan Shishkin

Copse

Ivan Shishkin·1872

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885