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Pygmalion by Paolo Veronese

Pygmalion

Paolo Veronese·c. 1558

Historical Context

Pygmalion at the Gardner Museum depicts the Ovidian myth of the sculptor who falls in love with his own creation, which Venus then brings to life. The subject had special resonance for artists as a metaphor for the creative power of art itself. The Pygmalion myth—the sculptor who creates his ideal in art only for it to transcend art and become real—had particular meaning for painters who contemplated the relationship between representation and reality.

Technical Analysis

The composition captures the moment of transformation with characteristic Venetian refinement. Veronese's luminous flesh tones and the contrast between the still-stone and living figures create visual drama.

Look Closer

  • ◆Notice how Veronese stages this scene of "Pygmalion" with the theatrical grandeur and luminous color that defined Venetian Renaissance painting.

See It In Person

Isabella Stewart Gardner Museum

Boston, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
34.7 × 68 cm
Era
Mannerism
Style
Mannerism
Genre
Mythology
Location
Isabella Stewart Gardner Museum, Boston
View on museum website →

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Saint Jerome in the Wilderness by Paolo Veronese

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Paolo Veronese·1585–90

Portrait of Agostino Barbarigo by Paolo Veronese

Portrait of Agostino Barbarigo

Paolo Veronese·after c. 1571

The Annunciation by Paolo Veronese

The Annunciation

Paolo Veronese·c. 1580

Ezekiel by Paolo Veronese

Ezekiel

Paolo Veronese·c. 1558

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Portrait of a Seated Woman

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