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The Death of Procris by Paolo Veronese

The Death of Procris

Paolo Veronese·c. 1558

Historical Context

The Death of Procris at the Gardner Museum illustrates the tragic Ovidian myth where Cephalus accidentally kills his wife while hunting. Veronese's mythological paintings at the Gardner form an important group that demonstrates his narrative range across classical subjects. The death of Procris offers Veronese an opportunity to combine the beauty of the pastoral landscape with the poignancy of violent loss—the huntress killed by the very javelin that never misses its mark.

Technical Analysis

The composition captures the pathos of the discovery with restrained emotion. Veronese's palette combines the green tones of the forest setting with the pale flesh of the dying Procris, creating a mood of elegiac beauty.

Look Closer

  • ◆Notice how Veronese stages this scene of "The Death of Procris" with the theatrical grandeur and luminous color that defined Venetian Renaissance painting.

See It In Person

Isabella Stewart Gardner Museum

Boston, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
35 × 75 cm
Era
Mannerism
Style
Mannerism
Genre
Mythology
Location
Isabella Stewart Gardner Museum, Boston
View on museum website →

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Saint Jerome in the Wilderness by Paolo Veronese

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Portrait of Agostino Barbarigo by Paolo Veronese

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Paolo Veronese·after c. 1571

The Annunciation by Paolo Veronese

The Annunciation

Paolo Veronese·c. 1580

Ezekiel by Paolo Veronese

Ezekiel

Paolo Veronese·c. 1558

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