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A Man in a Fur Coat by Albrecht Dürer

A Man in a Fur Coat

Albrecht Dürer·1521

Historical Context

A Man in a Fur Coat, painted around 1521 during Dürer's Netherlands journey and now thought to be a preliminary study or final portrait of an unidentified sitter, demonstrates the sustained quality of observation he maintained throughout his European travels. The fur-lined coat — a sign of wealth and status — is rendered with Dürer's characteristic precision for surfaces and textures, while the face above it is observed with the same uncompromising attention he brought to his self-portraits. The Netherlands journey was a period of intense artistic activity: Dürer was simultaneously producing drawings, prints, and paintings at a remarkable rate while traveling, attending ceremonies, and meeting the major figures of Flemish artistic life.

Technical Analysis

The rich texture of the fur is rendered with meticulous detail using fine, layered oil glazes. Dürer's characteristic precision in depicting materials and facial features places this among his finest late portraits.

See It In Person

Isabella Stewart Gardner Museum

Boston, United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
50.6 × 32.9 cm
Era
High Renaissance
Style
Northern Renaissance
Genre
Portrait
Location
Isabella Stewart Gardner Museum, Boston
View on museum website →

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Virgin and Child by Albrecht Dürer

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Albrecht Dürer·1516

Virgin and Child with Saint Anne by Albrecht Dürer

Virgin and Child with Saint Anne

Albrecht Dürer·probably 1519

Madonna and Child [obverse] by Albrecht Dürer

Madonna and Child [obverse]

Albrecht Dürer·c. 1496/1499

Lot and His Daughters [reverse] by Albrecht Dürer

Lot and His Daughters [reverse]

Albrecht Dürer·c. 1496/1499

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Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

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