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Polyptych of Volterra by Alvaro Pirez d'Evora

Polyptych of Volterra

Alvaro Pirez d'Evora·1425

Historical Context

Alvaro Pirez d'Evora's Polyptych of Volterra, painted around 1425, represents a major commission by this Portuguese painter working in Tuscany. Pirez d'Evora's career in Italy demonstrates the mobility of artists across national boundaries in the early fifteenth century and the Portuguese contribution to Italian Renaissance art. This work belongs to the Early Renaissance, the transformative period in European art when painters first applied mathematical perspective, naturalistic figure modeling, and archaeological interest in antiquity to the inherited traditions of medieval devotional painting. The tension between Gothic grace and Renaissance structure gives art of this period a distinctive energy.

Technical Analysis

The polyptych arranges multiple panels in the Italian altarpiece format, rendered in Pirez d'Evora's characteristic synthesis of Portuguese artistic heritage and Sienese painting traditions with gold ground and refined tempera technique.

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Quick Facts

Medium
Tempera
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
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Madonna and Child by Alvaro Pirez d'Evora

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Saint diacre (Laurent ?) by Alvaro Pirez d'Evora

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Die Verkündigung an Maria (2 Tafeln) by Alvaro Pirez d'Evora

Die Verkündigung an Maria (2 Tafeln)

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The Presentation in the Temple by Alvaro Pirez d'Evora

The Presentation in the Temple

Alvaro Pirez d'Evora·1430

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