Portrait d'homme sur son lit de mort, autrefois dit Armand Carrel

Portrait of a Man on His Deathbed from 1840 by Paul Delaroche depicts a dying man, formerly identified as the journalist Armand Carrel. Deathbed portraits served as final records of the deceased and were important documents of nineteenth-century memorial culture. Delaroche's method involved extensive research into historical costume and settings, and his large oil canvases were famous for their almost photographic clarity combined with powerful emotional staging.

The deathbed scene is rendered with solemn precision, Delaroche's technique capturing the stillness and gravity of the final moments.