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Madame Séraphin Henner by Jean-Jacques Henner

Madame Séraphin Henner

Jean-Jacques Henner·1901

Historical Context

Madame Séraphin Henner was Jean-Jacques Henner's sister-in-law, and this portrait belongs to the category of intimate family portraits that occupied academic painters alongside their Salon submissions. Henner had close family ties to Alsace — he was born near Bernwiller and retained deep connections to his region of origin throughout a career centered in Paris — and portraits of family members carried for him both personal affection and a professional demonstration of his technique. By 1901 Henner was in his late sixties, a celebrated institution of the Paris art world, and this family portrait shows the informal, more direct approach he applied to private commissions. The Petit Palais holds this alongside his more ambitious works.

Technical Analysis

The portrait is more direct and less elaborately finished than Henner's Salon works, with the sitter placed against a loosely painted, darker background that focuses attention on her face. His characteristic soft sfumato contours are present but less pronounced than in his mythological nudes.

See It In Person

Petit Palais

Paris, France

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Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Portrait
Location
Petit Palais, Paris
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Portrait de Madame Herzog by Jean-Jacques Henner

Portrait de Madame Herzog

Jean-Jacques Henner·1875

Portrait de Madame Jeantaud by Jean-Jacques Henner

Portrait de Madame Jeantaud

Jean-Jacques Henner·1875

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

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Fruit on a Table (Fruits sur la table) by Paul Cézanne

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Gardener (Le Jardinier) by Paul Cézanne

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