ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

The National Gallery and Saint Martin's Church in London by Giuseppe De Nittis

The National Gallery and Saint Martin's Church in London

Giuseppe De Nittis·1877

Historical Context

The National Gallery and Saint Martin's Church in London (1877), held by the Musée des Beaux-Arts de la Ville de Paris (Petit Palais), shows the north side of Trafalgar Square: the National Gallery (completed 1838) and St Martin-in-the-Fields (rebuilt 1726 by James Gibbs). De Nittis's choice to document these specific institutional buildings reflects his interest in London's distinctive architectural landmarks, just as he documented specific commercial addresses in Paris. The Gibbs steeple of St Martin-in-the-Fields is one of the most imitated church designs in the English-speaking world, and its juxtaposition with the Wilkins facade of the National Gallery summarises the cultural architecture of Georgian and early Victorian London in a composition of great civic significance and documentary value.

Technical Analysis

The composition handles two substantial stone buildings within the wide spaces of Trafalgar Square, balancing architectural precision with atmospheric treatment of London light. Pale Portland stone under overcast sky reflects subtle warm and cool tones, and the open square provides depth.

Look Closer

  • ◆St Martin's steeple beside the National Gallery's portico contrasts vertical Baroque with classical horizontality.
  • ◆Portland stone under London's grey sky reflects cool diffuse light — luminous rather than simply grey.
  • ◆The steps and open forecourt would be animated by figures and pigeons providing human scale.
  • ◆This painting records London's cultural geography — a church and a museum together as institutional identity.

See It In Person

Musée des Beaux-Arts de la ville de Paris

,

Visit museum website →

Quick Facts

Medium
canvas
Dimensions
Unknown
Era
Impressionism
Genre
Religious
Location
Musée des Beaux-Arts de la ville de Paris,
View on museum website →

More by Giuseppe De Nittis

How Cold It Is! by Giuseppe De Nittis

How Cold It Is!

Giuseppe De Nittis·1874

The road from Naples to Brindisi by Giuseppe De Nittis

The road from Naples to Brindisi

Giuseppe De Nittis·1872

Woman on the sand by Giuseppe De Nittis

Woman on the sand

Giuseppe De Nittis·1875

The eruption of Mount Vesuvius - II by Giuseppe De Nittis

The eruption of Mount Vesuvius - II

Giuseppe De Nittis·1872

More from the Impressionism Period

Michel Monet with a Pompon by Claude Monet

Michel Monet with a Pompon

Claude Monet·1880

Wind Effect, Row of Poplars by Claude Monet

Wind Effect, Row of Poplars

Claude Monet·1891

Rouen Cathedral by Claude Monet

Rouen Cathedral

Claude Monet·1893

Carrières-Saint-Denis by Claude Monet

Carrières-Saint-Denis

Claude Monet·1872