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Spring in Provence by Paul Signac

Spring in Provence

Paul Signac·1903

Historical Context

Spring in Provence (1903) shows Signac painting the inland landscape of southern France with the same chromatic ambition he brought to his Mediterranean harbour subjects. The Provence interior — lavender fields, olive groves, ochre soil, cypress trees — offered a richly varied warm palette that responded ideally to his mosaic divisionist technique. By 1903 Signac had settled into his house at Saint-Tropez and was using the surrounding landscape as freely as the harbour. Now at the Pushkin Museum of Fine Arts, Moscow.

Technical Analysis

The Provençal palette dominates: warm ochres, yellows, and olive-greens contrasted with the vivid blue of the sky and distant hills. Signac's mosaic patches are large and confident, building the landscape's varied surfaces — earth, foliage, stone — in freely juxtaposed warm and cool colour fields.

See It In Person

Pushkin Museum of Fine Arts

Moscow, Russia

Visit museum website →

Quick Facts

Medium
canvas
Dimensions
Unknown
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Landscape
Location
Pushkin Museum of Fine Arts, Moscow
View on museum website →

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Pont Mirabeau by Paul Signac

Pont Mirabeau

Paul Signac·1903

Concarneau by Paul Signac

Concarneau

Paul Signac·1932

Mont Saint-Michel. Fog and sun by Paul Signac

Mont Saint-Michel. Fog and sun

Paul Signac·1897

Samois Study No. 8 by Paul Signac

Samois Study No. 8

Paul Signac·1899

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885