Legnica polyptych - right wing external - upper panel - obverse: St Barbara, St Catherine, St Dorothy; reverse: Christ and the Samaritan

This religious painting from 1466 by Mikołaj Obilman reflects the central role of religious painting in the Early Renaissance. Mikołaj Obilman approaches the subject with characteristic reverence and technical skill, creating an image that would have resonated deeply with contemporary viewers. The decades around mid-century saw the establishment of major artistic dynasties and workshop traditions that would train the next generation of Renaissance masters.

Mikołaj Obilman employs skilled technique and careful observation to convey the spiritual gravity of the subject. The treatment of the figures shows careful study of earlier masters, while the palette and lighting create the devotional atmosphere the subject demands.