Die Erscheinung des Auferstandenen vor Maria Magdalena

Die Erscheinung des Auferstandenen vor Maria Magdalena (Christ Appearing to Mary Magdalene) from 1539 by Hans Baldung Grien depicts the Noli Me Tangere scene. This late painting shows Baldung treating a subject of tender spiritual encounter with restrained emotional power. The work is notable for the way Baldung balances the resurrected Christ's otherworldly luminosity with Mary Magdalene's trembling human response, a moment of hushed spiritual drama.

The encounter between the risen Christ and the Magdalene is rendered with the refined technique of Baldung's late style, balancing emotional intensity with compositional restraint.