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Vulcan Presenting Arms to Venus for Aeneas by François Boucher

Vulcan Presenting Arms to Venus for Aeneas

François Boucher·1756

Historical Context

Vulcan Presenting Arms to Venus for Aeneas from 1756 at the Clark Art Institute treats a Virgilian subject with Rococo elegance. Boucher's mythological paintings transform epic classical narratives into decorative spectacles. Boucher's mythological paintings define the Rococo aesthetic in French art: soft luminous flesh, cascading draperies in rose and blue, and theatrical artificial landscape. They were produced largely for Madame de Pompadour, Louis XV's mistress and Boucher's greatest patr...

Technical Analysis

The mythological composition combines divine figures with Rococo decorative elegance. Boucher's warm palette creates a scene of celestial beauty.

See It In Person

Clark Art Institute

Williamstown, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Era
Rococo
Style
French Rococo
Genre
Mythology
Location
Clark Art Institute, Williamstown
View on museum website →

More by François Boucher

Are They Thinking about the Grape? (Pensent-ils au raisin?) by François Boucher

Are They Thinking about the Grape? (Pensent-ils au raisin?)

François Boucher·1747

Bathing Nymph by François Boucher

Bathing Nymph

François Boucher·c. 1745–50

Angelica and Medoro by François Boucher

Angelica and Medoro

François Boucher·1763

The Dispatch of the Messenger by François Boucher

The Dispatch of the Messenger

François Boucher·1765

More from the Rococo Period

Annunciation to the Shepherds by Jacopo Bassano

Annunciation to the Shepherds

Jacopo Bassano·c. 1710

The Madonna with the Seven Founders of the Servite Order by Agostino Masucci

The Madonna with the Seven Founders of the Servite Order

Agostino Masucci·c. 1728

Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

Alessandro Magnasco·c. 1705

Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

Alessandro Magnasco·c. 1700