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Bathsheba, c. 1650-52 by Artemisia Gentileschi

Bathsheba, c. 1650-52

Artemisia Gentileschi·1651

Historical Context

Bathsheba from around 1650-52 is a late work showing Gentileschi returning to the subject of the biblical beauty observed at her bath. Her late Bathsheba paintings show a mature artist engaging with themes of female beauty, vulnerability, and agency. Artemisia Gentileschi's powerfully direct treatment of female subjects—heroines, saints, and biblical figures depicted with unprecedented psychological force and physical credibility—makes her one of the most significant figures in the Baroque tradition.

Technical Analysis

The figure is rendered with broader handling characteristic of Gentileschi's late style. The warm palette and naturalistic modeling maintain the physical presence of her earlier work.

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Quick Facts

Medium
Oil paint
Era
Baroque
Style
Italian Baroque
Genre
Religious
Location
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Mary Magdalene in Ecstasy by Artemisia Gentileschi

Mary Magdalene in Ecstasy

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Bathsheba by Artemisia Gentileschi

Bathsheba

Artemisia Gentileschi·1645

Saint Apollonia by Artemisia Gentileschi

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Artemisia Gentileschi·1642

Clio, la Musa della Storia (La fama) by Artemisia Gentileschi

Clio, la Musa della Storia (La fama)

Artemisia Gentileschi·1632

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