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Entrance to the city by Édouard Vuillard

Entrance to the city

Édouard Vuillard·1903

Historical Context

Entrance to the City depicts an urban transitional zone — the edge of a town or city as seen from a road or pathway entering it — a subject that lacks the intimacy of Vuillard's domestic work and the pictorial richness of his densely patterned interiors. Urban street scenes and cityscapes are infrequent in his output, and this work's existence suggests it was painted during a specific journey or stay in a provincial town rather than as a deliberate serial subject. The transitional space between country and city carried cultural resonance in early twentieth-century France as rural depopulation accelerated.

Technical Analysis

The spatial construction opens outward toward the city, creating more recession than typical Vuillard compositions. The architecture provides vertical structure amid the open street. The palette is relatively cool and urban, different from the warm domestic interiors that dominate his work.

See It In Person

Tehran Museum of Contemporary Art

Tehran, Iran

Visit museum website →

Quick Facts

Medium
canvas
Era
Post-Impressionism
Style
Nabis
Genre
Cityscape
Location
Tehran Museum of Contemporary Art, Tehran
View on museum website →

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Self-portrait, face study by Édouard Vuillard

Self-portrait, face study

Édouard Vuillard·1889

Garden at Vaucresson by Édouard Vuillard

Garden at Vaucresson

Édouard Vuillard·1923

More from the Post-Impressionism Period

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Fruit on a Table (Fruits sur la table) by Paul Cézanne

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Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

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