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Fragment from the Liesborn High Altarpiece: Holy King by Master of Liesborn

Fragment from the Liesborn High Altarpiece: Holy King

Master of Liesborn·1480

Historical Context

The Master of Liesborn created this fragment of a Holy King around 1480 as part of the great high altarpiece of the Benedictine abbey at Liesborn in Westphalia. The Liesborn altarpiece was one of the major works of late medieval Westphalian painting, and its dismemberment and dispersal across multiple collections has complicated the study of this anonymous master's achievement. This work belongs to the Early Renaissance, the transformative period in European art when painters first applied mathematical perspective, naturalistic figure modeling, and archaeological interest in antiquity to the inherited traditions of medieval devotional painting.

Technical Analysis

Oil on panel fragment with the gentle, contemplative figure style characteristic of the Liesborn Master. The royal figure shows careful attention to crown and costume detail despite the fragmentary condition.

See It In Person

Westphalian State Museum of Art and Cultural History

Münster, Germany

Visit museum website →

Quick Facts

Medium
Tempera
Dimensions
23.8 × 19.9 cm
Era
Early Renaissance
Style
Northern Renaissance
Genre
Religious
Location
Westphalian State Museum of Art and Cultural History, Münster
View on museum website →

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Saint Dorothy by Master of Liesborn

Saint Dorothy

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Saint Margaret by Master of Liesborn

Saint Margaret

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The Virgin and Child with a Donor by Master of Liesborn

The Virgin and Child with a Donor

Master of Liesborn·1482

Fragment from the Liesborn High Altarpiece: Mourning Angel by Master of Liesborn

Fragment from the Liesborn High Altarpiece: Mourning Angel

Master of Liesborn·1480

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