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A Woman with a White Corsage by Pierre Bonnard

A Woman with a White Corsage

Pierre Bonnard·1922

Historical Context

A Woman with a White Corsage places Bonnard within his relatively limited engagement with formal portraiture—the subject's corsage suggesting a dressed occasion, perhaps a formal dinner or social event, that prompted more deliberate self-presentation than the informal domestic poses he more commonly depicted. The corsage—a small arrangement of flowers worn at the bodice—was a convention of formal women's dress in the early twentieth century, and its white color against the woman's dress provided Bonnard with a specific chromatic anchor. His formal portrait subjects were always more challenging for him than his domestic figure subjects; the requirement of likeness and decorum sat uneasily with his preference for the candid and informal.

Technical Analysis

The white corsage serves as a chromatic focal point within the composition, its white modulated by the warm or cool light falling on it. Bonnard renders the woman's dress and surrounding interior in a harmonizing palette that does not compete with the corsage's whiteness. The face receives careful attention to establish individual likeness, more precisely painted than the background and clothing details.

See It In Person

Ōita Prefectural Art Museum

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Quick Facts

Medium
canvas
Era
Post-Impressionism
Style
Nabis
Genre
Portrait
Location
Ōita Prefectural Art Museum,
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The Dining Room, Vernonnet by Pierre Bonnard

The Dining Room, Vernonnet

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