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A burnt down farmhouse, only the chimney is still standing by Laurits Andersen Ring

A burnt down farmhouse, only the chimney is still standing

Laurits Andersen Ring·1904

Historical Context

A Burnt Down Farmhouse, Only the Chimney Is Still Standing (1904) is among the most stark and haunting subjects in Ring's oeuvre — the remains of a farm destroyed by fire, reduced to a single standing chimney amid ash and rubble. Fire was a catastrophic event in rural Danish society, often wiping out the accumulated generations of a family's agricultural property in hours. The chimney standing alone — the only element that survived the conflagration precisely because it was designed to resist heat — is a wrenching emblem of loss. Ring chooses this subject with the same seriousness he brought to his graveyard and sickroom images.

Technical Analysis

The composition is dominated by absence and ruin: where a farmhouse stood, there is now a gap in the expected skyline, filled with the sooty remains of structure. Ring would render the residual chimney with geometric precision against the devastated surroundings, using the contrast between its upright order and the chaotic rubble as the composition's central formal tension.

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Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Genre
Location
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Et besøg i et skomagerværksted by Laurits Andersen Ring

Et besøg i et skomagerværksted

Laurits Andersen Ring·1885

A Rye Field near Ring Village by Laurits Andersen Ring

A Rye Field near Ring Village

Laurits Andersen Ring·1887

More from the Post-Impressionism Period

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