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Lady Maynard (c.1731-1762) by Joshua Reynolds

Lady Maynard (c.1731-1762)

Joshua Reynolds·1760

Historical Context

Executed in 1760, this portrait exemplifies Joshua Reynolds's command of formal portraiture, drawing on Rembrandt. The work reflects the social importance of commissioned portraits in the Romantic period, serving both as personal memento and public statement of status. Reynolds built his portraits using multiple glazed layers over a warm imprimatura, blending Rembrandt's tonal depth with Van Dyck's aristocratic elegance—though his experimental use of bitumen and carmine often caused...

Technical Analysis

The portrait is rendered with classical references in poses that characterizes Joshua Reynolds's best work. Oil on canvas provides a rich ground for the subtle gradations of flesh tone and the textural contrasts between skin, fabric, and background that give the image its convincing presence.

Look Closer

  • ◆Notice the Rembrandtesque tonal depth Reynolds deliberately cultivated — the face emerges from warm shadow with psychological presence.
  • ◆Look at the formal but approachable bearing that Reynolds calibrated for aristocratic female sitters of the 1760s.
  • ◆Observe the costume details: the cut of the dress and the arrangement of the neckline date the painting precisely to its period.
  • ◆Find the layered glazing in the flesh tones — Reynolds's technique of building up transparent layers gives the skin a luminous quality.

See It In Person

Hunterian Museum and Art Gallery

Glasgow, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
127 × 101.6 cm
Era
Rococo
Style
English Rococo
Genre
Portrait
Location
Hunterian Museum and Art Gallery, Glasgow
View on museum website →

More by Joshua Reynolds

The Honorable Henry Fane (1739–1802) with Inigo Jones and Charles Blair by Joshua Reynolds

The Honorable Henry Fane (1739–1802) with Inigo Jones and Charles Blair

Joshua Reynolds·1761–66

Lady Sarah Bunbury Sacrificing to the Graces by Joshua Reynolds

Lady Sarah Bunbury Sacrificing to the Graces

Joshua Reynolds·1763–65

Sir Thomas Rumbold, Bt. by Joshua Reynolds

Sir Thomas Rumbold, Bt.

Joshua Reynolds·1788

Thomas (1740–1825) and Martha Neate (1741–after 1795) with His Tutor, Thomas Needham by Joshua Reynolds

Thomas (1740–1825) and Martha Neate (1741–after 1795) with His Tutor, Thomas Needham

Joshua Reynolds·1748

More from the Rococo Period

Annunciation to the Shepherds by Jacopo Bassano

Annunciation to the Shepherds

Jacopo Bassano·c. 1710

The Madonna with the Seven Founders of the Servite Order by Agostino Masucci

The Madonna with the Seven Founders of the Servite Order

Agostino Masucci·c. 1728

Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

Alessandro Magnasco·c. 1705

Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

Alessandro Magnasco·c. 1700