Tiger and Lion

Tiger and Lion from 1850 at the National Gallery Prague shows Delacroix's fascination with predatory animals. His animal combat paintings combine Rubensian energy with Romantic appreciation for nature's raw power. As the leading French Romantic painter, Delacroix brought passionate color and dynamic energy to all his subjects; his journal records his constant study of color relationships and his admiration for Rubens, Constable, and Veronese. Eugène Delacroix, the greatest painter of the French Romantic movement, combined the emotional intensity and coloristic ambition of his Romantic program with a classical learning that made his art simultaneously revolutionary and deeply rooted in the European tradition. His visits to Rubens's works in Belgium, his admiration for Constable's color which he encountered at the Salon of 1824, and his long study of Venetian colorism were the foundations of a painting practice that combined observation, emotion, and historical imagination in ways that no French painter had previously achieved. His journals and correspondence document one of the most intellectually rigorous artistic minds of the nineteenth century.

The animal encounter is rendered with dynamic brushwork and warm palette. Delacroix's handling of the powerful animals creates a compelling image of natural violence.