Death of the Virgin
Nicolas Poussin·1623
Historical Context
Death of the Virgin from 1623 at Sterrebeek is an early Poussin from his first years in Rome, when he was absorbing the lessons of Raphael and the antique while also responding to contemporary Caravaggist painting. The subject was rarely depicted in Catholic art after the Council of Trent. Poussin developed his religious subjects through intense study of ancient Roman reliefs and Italian Renaissance masters, composing figures as if arranging actors on a stage. His cool, clear palette and scul...
Technical Analysis
The composition shows Poussin's early dramatic manner before his mature classical restraint. The strong lighting and emotional intensity reflect the influence of Roman Baroque painting.
