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Saint John the Baptist in the Wilderness
Joshua Reynolds·1776
Historical Context
Reynolds painted Saint John the Baptist in the Wilderness around 1776, one of his most ambitious religious compositions. The painting demonstrates Reynolds's aspiration to excel in history painting — the genre he championed in his Royal Academy Discourses as the highest form of art. The youthful saint in a wilderness setting allowed Reynolds to combine figure study with landscape. Now in the Wallace Collection, the painting represents Reynolds's attempt to practice the Grand Style he preached.
Technical Analysis
Reynolds applies the warm Venetian color and broad handling he admired in Titian to this religious subject. The Baptist's muscular figure is modeled with the dramatic chiaroscuro that Reynolds derived from his study of Italian Baroque painting during his Italian sojourn.
Look Closer
- ◆Notice the muscular, classicized figure of the young Baptist — Reynolds has given the biblical subject the physicality of antique sculpture.
- ◆Look at the warm Venetian color Reynolds derived from his study of Titian — quite different from the cooler tones of Northern European religious painting.
- ◆Observe the wilderness setting: the rocky, untamed landscape backdrop contrasts with the domestic settings of Reynolds's portrait work.
- ◆Find the dramatic chiaroscuro from Italian Baroque sources — strong light modeling the figure against a dark background.
See It In Person
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