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Note in Green and Brown: Orlando at Coombe by James McNeill Whistler

Note in Green and Brown: Orlando at Coombe

James McNeill Whistler·1885

Historical Context

Whistler's 'Note in Green and Brown: Orlando at Coombe' takes its title from his practice of naming works with musical and color terms — suggesting mood and tone rather than subject. Coombe is a village in Surrey, England, and the painting appears to depict a landscape or garden there. By 1885, Whistler had fully developed his Aesthetic Movement approach: the painting as an autonomous object where color harmony mattered more than narrative content. The title's reference to 'Orlando' evokes a pastoral or literary association rather than a specific anecdote.

Technical Analysis

Green and brown — the color note of the title — dominate the palette, establishing an autumn or garden atmosphere through tonal relationships rather than descriptive detail. Whistler's touch is spare and deliberate: each stroke placed to contribute to the chromatic harmony, nothing superfluous admitted.

See It In Person

Hunterian Museum and Art Gallery

Glasgow, United Kingdom

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Quick Facts

Medium
Oil on canvas
Era
Impressionism
Style
Impressionism
Genre
Landscape
Location
Hunterian Museum and Art Gallery, Glasgow
View on museum website →

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Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle by James McNeill Whistler

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Symphony in Flesh Colour and Pink: Portrait of Mrs Frances Leyland by James McNeill Whistler

Symphony in Flesh Colour and Pink: Portrait of Mrs Frances Leyland

James McNeill Whistler·1872

Portrait of Dr. William McNeill Whistler by James McNeill Whistler

Portrait of Dr. William McNeill Whistler

James McNeill Whistler·1872

Arrangement in Gray: Portrait of the Painter by James McNeill Whistler

Arrangement in Gray: Portrait of the Painter

James McNeill Whistler·1872

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