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Phaedria and Cymochles by William Etty

Phaedria and Cymochles

William Etty·1830

Historical Context

Phaedria and Cymochles, painted around 1830 and now in the Princeton Art Museum, illustrates an episode from Edmund Spenser's The Faerie Queene — the enchantress Phaedria and the dissolute knight Cymochles in the Bower of Bliss. Spenser's sixteenth-century epic poem, with its allegory of virtue and temptation, provided British painters with literary justification for depicting idealized nude figures in lush settings. Etty's warm, Venetian-influenced palette transforms Spenser's moral allegory into a celebration of sensuous beauty. The Princeton Art Museum, one of the finest university collections in America, houses this painting as part of its comprehensive survey of European art history.

Technical Analysis

Etty's luxuriant palette of warm flesh tones and rich greens creates a sensuous atmosphere appropriate to Spenser's enchanted garden. The fluent handling of paint and the careful modeling of the figures demonstrate his mastery of the nude.

Look Closer

  • ◆Notice the luxuriant palette of warm flesh tones and rich greens creating a sensuous atmosphere appropriate to Spenser's enchanted garden from The Faerie Queene.
  • ◆Look at the fluent handling of paint and careful modeling of the figures of Phaedria the enchantress and the dissolute knight Cymochles.
  • ◆Observe Etty illustrating Edmund Spenser's allegory of virtue and temptation in this 1830 Princeton Art Museum painting, where literary subject sanctioned the display of the nude.

See It In Person

Princeton Art Museum

Princeton, United States

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
62.5 × 76 cm
Era
Romanticism
Style
British Romanticism
Genre
Mythology
Location
Princeton Art Museum, Princeton
View on museum website →

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Allegory by William Etty

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The Three Graces by William Etty

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William Etty·1807

Head of a Cardinal by William Etty

Head of a Cardinal

William Etty·ca. 1844

The Ring by William Etty

The Ring

William Etty·ca. 1835

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